Marcelline: In My Own Images, 2015 is a single channel video that explores the hypervisible and ambiguous artist's body as a primal site of protest. Ideas found in Audre Lorde's seminal text "Uses of The Erotic: The Erotic As Power; the Baltimore uprising in the spring of 2015 and the non-linear history of transgender/gender-variant people are used as a framework to situate the piece. Filmed intimately with an iphone 6 between Philadelphia and Baltimore, the 14 distinct vignettes double as documentation of the protagonist' action based iconography in reference to their interactive live performances. In the video, the chaos of freedom and solitude become synonymous with one another as the weight of an audience is rendered into vacant galleries and empty baseball fields, spaces where one typically witnesses a spectacle. The resulting cycles of object mediated transformations depict the artist's ability to transcend beyond physical space into the meta-spiritual realm, into the feminine void. A knife welded into the shape of lips, a red trench coat constructed from a pattern of only curved lines, some of the objects she employs in a dynamic way during live performances, are used to dictate some of the transitions and progressions of the non linear narrative. In one scene she runs into the field while holding a heart shaped strawberry cast in rubber, in the next the strawberry heart glows fiery on a light stand carefully placed in front of her chest. She then cuts and rubs a lemon onto the surface of the heart, as a symbolic reference to her holistic healing practice, in effort to become whole.